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Vinyl LP pressing. Includes digital download. 2020 release, the 10th studio album by heavy metal band Lamb of God. Tis self-titled release is the first studio album of all-new material by the band since 2015's VII: Sturm und Drang and the first to feature Art Cruz as the replacement for original drummer Chris Adler, who left Lamb of God in July 2019. The album features guest appearances by Jamey Jasta of Hatebreed and Chuck Billy of Testament.
Vinyl LP pressing. 2020 album from British gothic metal pioneers Paradise Lost. Obsidian, the group's 16th studio album, was recorded with producer Jaime Gomez Arellano, eschews it's immediate predecessors' gruesome, myopic approach in favor of a richer and more dynamic deluge of black shades. From the deceptive elegance and dual atmospheres of opener "Darker Thoughts" through to the crushing, baroque doom of war-torn closer "Ravenghast", Obsidian reveals a band in masterful control of a broad array of vital ideas.
ABBATH comment on the album: "Abbath, honed sharp by trial and terror, proudly present 'Outstrider' - our latest catharsis wrung from the guts of darkness. Forged in fiery furnace of adversity, hammered on an anvil of rage, this album is conjured from conflagration coughed from rift of Chaos, rising like a Phoenix from the Pit, to infect our Spitegeist with shamaniacal reflections sheathed in metal compositions, hooked and riffed by razor wire licks impaling bass-lines pulsed on drumbeats dredged from thunderous abyss, by a hive-mind wed to one whole emission: To boldly go where no band has gone before and one step further!"
The coverartwork, which is created by Kim Holm and Olav Iversen, and the track-list for 'Outstrider' can be found below.
American Made Music to Strip By was Rob Zombie's first remix album, released by Geffen Records in 1999. Featuring remixes of 'Dragula,' 'Superbeast,' 'Living Dead Girl' and more, American Made Music To Strip By gave listeners a new and exciting taste of their favorite tracks from Hellbilly Deluxe.
Focusing on his love of horror and suspense, Rob Zombie named his second album The Sinister Urge, after the 1961 film of the same name (directed by Ed Wood). Featuring his third Top 20 Mainstream Rock single 'Demon Speeding' as well as metal juggernauts Ozzy Osbourne (guest vocals on 'Iron Head') and Kerry King (additional guitars on 'Dead Girl Superstar') along with a slurry of other notable guest musicians, this album has achieved platinum sales status as well garnering Rob his second Top 10 album chart in the Billboard 200.
Tying together three of his major loves: classic horror films, hard rock, and electronic music, Rob Zombie created and released his debut solo album, Hellbilly Deluxe in August 1998. Featuring his iconic hits 'Dragula,' 'Living Dead Girl' and 'Superbeast,' Helbilly Deluxe cemented Rob Zombie as a hugely successful solo artist with over 3 million album sales and his first Top 5 album chart position in the Billboard 200.
Black Label Society bandleader Zakk Wylde wields his guitar like a Viking weapon, bashing out thick riffage and squeezing out expressive squeals as if the glory of his Berserker brotherhood depends upon every single note, which of course, it does. Charismatic beast and consummate showman, Wylde puts his massive heart and earnest soul on display with unbridled, unchained, animalistic passion in Black Label Society, whether it’s a crushingly heavy blues-rock barnstormer or a piano-driven ode to a fallen brother. Each Black Label Society album is another opportunity to top the one before it, but like AC/DC or The Rolling Stones, BLS isn’t here to reinvent the wheel. If it ain’t broke, don’t fix it. It’s a brand we can trust. Grimmest Hits, the band’s tenth full-length studio album and follow-up to Billboard Top 5 entries Catacombs of the Black Vatican (2014) and Order of the Black (2010), Black Label Society submit new anthems like radio single “Room of Nightmares,” the bluesy “Seasons of Falter,” and Southern-fried “The Day That Heaven Had Gone Away” to the BLS faithful; 12 unstoppable tracks to add to that lifestyle soundtrack.
Over the past 20 years, Grammy-nominated band TRIVIUM — Matt Heafy [vocals, guitar], Corey Beaulieu [guitar], Paolo Gregoletto [bass], and Alex Bent [drums]— have quietly claimed their place at the forefront of heavy music in the 21st century. The Florida-based band is pleased to announce that its ninth full length What The Dead Men Say will be released through Roadrunner Records on April 24.
Founded in 1991 Immortal has often been the bench mark when it comes to quality extreme metal. The Norwegian natives released their debut album “Diabolical Fullmoon Mysticism” in 1992. Since then they have released eight full length releases, the last two, “All Shall Fall” (2009) and “Sons of Northern Darkness” (2002), were released on Nuclear Blast.
Vinyl LP pressing. 2020 release from the iconic metal band. Cirith Ungol first appeared on the scene with their self-financed debut album, Frost and Fire, via their own Liquid Flame Records imprint in April 1981. It was obscure and arcane, mysterious and eccentric, epic and expansive, but most of all unfailingly, bone-crushingly heavy, dark and doom-filled. Now, as the Cirith Ungol resurrection enters it's fifth year, the band proudly presents Forever Black, Cirith Ungol's first collection of all-new material in 29 years! Make no mistake: Forever Black is a classic Cirith Ungol album in every sense of the word. The trademark dark and foreboding riffs, pounding rhythms, and soul-searing vocal attack are instantly recognizable as the Kings of the Dead. From a songwriting standpoint, Forever Black touches on all of the elements that make Cirith Ungol revered, from the exhilarating uptempo call to arms that is "Legions Arise" to the clever incorporation of past glories in "The Frost Monstreme" to the somber and dynamic "Stormbringer" to the primal chest-beating epic finale of the title track. Lyrically, Forever Black explores topics ranging from high fantasy themes to rallying cries for the legions to apocalyptic visions of burning fires, incarnate evil and jet- black darkness. The icing on the cake is the striking cover painting by Michael Whelan, whose magnificent visuals remain inextricably associated with Cirith Ungol.
Vinyl LP pressing. 2020 release. Weapons of Tomorrow is poised to be a new-age metal standard, thundering forward with modern influences while staying true to the unmistakable sound of Warbringer! The sixth studio album by the Californian thrash metal overlords will stir up the heavy metal scene with an impressive balancing act between power, heavy and the finest thrash metal. With insanely fast and brutal riffs, as soon as the dynamic, energetic opening track "Firepower Kills" begins, the listener is given a perfect impression as to where this beast of an album will lead them - crushing ears and minds from start to end! With John Kevill's powerful voice and the furious riffage and grooves of his band, Warbringer embarks on a new level of metal while never losing their old school-inspired roots. One thing is for sure, tracks such as "The Black Hand Reaches Out" will become the ultimate headbanger anthem. Weapons of Tomorrow is thrash metal in a class of it's own!
Limited blue colored vinyl LP pressing. Includes digital download. Reissue. Abigail is the second King Diamond album and their first concept album. It was released in 1987. This album has sold over 175,000 copies in North America alone. Abigail is the last album to feature guitarist Michael Denner and bassist Timi Hansen.
Limited blue vinyl LP pressing. Includes digital download. Reissue. Return of the Vampire is a compilation album of rare demo tracks by Mercyful Fate recorded before their first, official release in 1982. It was originally released in 1992.
Gatefold slip sleeve CD w/high end cardboard to emulate a "Vinyl" release. Reissue. Don't Break the Oath is the second studio album by Danish heavy metal band Mercyful Fate, originally released in 1984. The style Mercyful Fate employed on Don't Break the Oath resembled a mixture of heavy metal with progressive elements, lyrically preoccupied with Satan and the occult and distinguished by King Diamond's theatrical falsetto vocals. Although very influential to future black metal bands due to it's lyrical content, the music itself is more reminiscent of traditional heavy metal.
Formed in 1991 by Jonas Renkse & Anders Nyström, and transitioning from early pioneers of the rising black/death/doom movement, to powerhouses of the progressive metallic rock genre, the Swedish connoisseurs of melancholy return with their stellar new opus, City Burials - the band’s eleventh studio album, & first since 2016’s haunting The Fall of Hearts was brought before the world.
With the winds of a new direction steering the band on their latest journey, City Burials stands as Katatonia’s new triumph of deep & enigmatic progressive rock – the fruits of a rejuvenating and profound chapter in the band’s legacy; a catalyst for its creators, with a collection of moments constructed out of the fragments of an ever-evolving life. Compiled into one of their most important modern works and statements to date, the finely-honed instrumentation provides a multi-textured backdrop with the voice of Jonas Renkse guiding us through these latest trials of loss and ruin.
Beyond their core creative duo, Katatonia are very much a full-blown band, and the chemistry between Jonas, Anders and their band mates – bassist Niklas Sandin, drummer Daniel Moilanen and most recent recruit, guitarist Roger Öjersson – has never sounded more potent, with City Burials being the first album Katatonia have made since Öjersson became a full-time member.
Inspired by an injection of fresh blood into Katatonia’s creative brew, City Burials is an album that sees the band reclaim part of their heavy metal roots, via several moments of exuberant, old school classicism, deftly woven into these new songs’ kaleidoscopic fabric. Resulting in an album that looks certain to push the band ever further into the spotlight.
City Burials was produced by Nyström/Renkse and recorded at Soundtrade Studios, Tri-Lamb Studios & The City Of Glass, throughout October & November 2019, with engineering work handled by Karl Daniel Lidén with mixing and mastering by Jacob Hansen. The album also features a guest appearance by Anni Bernhard, the voice behind Stockholm based act Full of Keys. Artwork appears courtesy of Lasse Hoile, the image itself representing the ongoing era of the Dead End King.
The band will be supporting the release with festivals and touring planned throughout 2020 and 2021 including an appearance at 2020’s Psycho Festival.
Originally released in 2004, Master Of The Moon was the final studio album under the DIO band name and featured the line-up of Ronnie James Dio (Vocals), Craig Goldy (Guitar), Jeff Pilson (Bass), & Simon Wright (Drums). LP includes limited edition lenticular LP sized print and 180g vinyl.
Originally released in 1996 and featuring the line-up of Ronnie James Dio (Vocals), Tracy G (Guitars), Jeff Pilson (Bass), Vinny Appice (Drums) & Scott Warren (Keyboards)
Originally released in 2000 and featuring the line-up of Ronnie James Dio (Vocals), Craig Goldy (Guitars), Jimmy Bain (Bass), & Simon Wright (Drums) the 2LP set includes a bonus 7” of studio track “Electra” and the CD/digital version features 10 never released before Magica tracks performed on tour in 2001. LP includes limited edition lenticular LP sized art print and on 180g vinyl.
Originally released in 2002 and featuring the line-up of Ronnie James Dio (Vocals), Doug Aldrich (Guitars), Jimmy Bain (Bass), & Simon Wright (Drums). The LP includes a limited edition lenticular LP sized print and 180g vinyl.
1979 was MOTÖRHEAD year – the year of ‘Bomber’. MOTÖRHEAD, the loudest band in the world, with the power and force of a hundred pneumatic drills they destroyed the nation over and again and no-one, repeat no-one, remained unaffected by them – everyone was torn limb from limb. The album ‘Bomber’ and was ten times more powerful than their first album ‘Motörhead’, which was a killer in itself. The production was in the capable and experienced hands of one Jimmy Miller, whose previous successes had been with the likes of the Rolling Stones. He brought out the very best in the boys and the total effect was lethal. ‘Bomber’ is full of real skullcrackers, brain damaging to the nth degree and with the hit single 'Bomber' and tracks like 'Dead Men Tell No Tales' you can doubtless guess the destroying effect of the whole affair. That’s Motörhead; straight, basic, down to earth rock and roll, with absolutely no holds barred.
1979 was MOTÖRHEAD year – the year of ‘Overkill’. MOTÖRHEAD, the loudest band in the world, with the power and force of a hundred pneumatic drills they destroyed the nation over and again and no-one, repeat no-one, remained unaffected by them – everyone was torn limb from limb. The album ‘Overkill’ and was ten times more powerful than their first album ‘Motörhead’, which was a killer in itself. The production was in the capable and experienced hands of one Jimmy Miller, whose previous successes had been with the likes of the Rolling Stones. He brought out the very best in the boys and the total effect was lethal. ‘Overkill’ is full of real skullcrackers, brain damaging to the nth degree and with the hit singles ‘Overkill’ and ‘No Class’ you can doubtless guess the destroying effect of the whole affair. That’s Motörhead; straight, basic, down to earth rock and roll, with absolutely no holds barred.